The Duchess shed tears large as marrow-fat peas. (1911)
Technique: Giclée quality print
Recommended by our customers
More about this artwork
Welcome to a delicate expression of emotion captured by the renowned illustrator Arthur Rackham in the exquisite painting titled "The Duchess shed tears large as marrow-fat peas." Crafted in 1911, this artwork stands out as a masterful blend of whimsy and detailed artistry, typical of Rackham's enchanting style.In this poignant creation, we witness a forlorn duchess, engulfed in a moment of sorrow, seated in an ornate chair. Her attire is a feast of details and textures, showcasing Rackham's precision in depicting elaborate costumes. The duchess is dressed in a voluminous gown adorned with intricate patterns and swirling designs, the fabric rendered with subtle color shifts that suggest its lush texture. Her face, a focal point of quiet despair, is beautifully framed by a ruffled lace collar and an elaborately coiffed hairstyle, capturing the epitome of regal elegance in distress.The tears she sheds, described metaphorically as large as marrow-fat peas, are not visible, yet their impact is felt through the sorrowful expression in her downcast eyes and slightly parted lips. This emotional weight is further amplified by the muted, earthy tones of the background, ensuring that the viewer's attention remains riveted on the duchess’s emotional state.Arthur Rackham's "The Duchess shed tears large as marrow-fat peas" is a visual treat that transcends its own era, resonating with the universal theme of human emotion. Through this painting, Rackham invites us to share a private moment of sadness, beautifully captured through his distinctive touch of gentle fantasy. This piece is not just an artwork; it's a narrative frozen in time, eloquent and profoundly moving.
Delivery
Returns
Arthur Rackham (19 September 1867 – 6 September 1939) was an English book illustrator. He is recognised as one of the leading figures during the Golden Age of British book illustration. His work is noted for its robust pen and ink drawings, which were combined with the use of watercolour, a technique he developed due to his background as a journalistic illustrator.