Study for the painting ‘Stopfende Alte am Fenster’ (1880)
Technique: Giclée quality print
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We are pleased to present "Study for the painting ‘Stopfende Alte am Fenster’ (1880)" by German artist Max Liebermann, a pivotal figure in the transition from Realism to Impressionism. This exquisite study exemplifies Liebermann's keen observation and mastery in capturing human figures with intimate realism.The artwork features the thoughtful sketch of an elderly woman engaged in the meticulous task of darning, her focus deeply immersed in the repair of cloth. Liebermann's use of swift, precise lines along with softer shading brings to life the delicate play of light and texture, highlighting the woman's concentrated expression and the gentle dexterity of her hands. The positioning of the woman, bent over her task near a presumed window out of the field of view, suggests a natural light source that accentuates her actions and the serene mood of the scene.This drawing not only serves as a preparatory work for Liebermann's larger painting but stands alone as a poignant study of daily life, reflecting the quiet moments of the working class at the time. The attention to detail and the emotional resonance of the sketch invite viewers to reflect on the themes of labor, age, and the human condition—a testament to Liebermann's profound ability to connect with his subjects and his audience.
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Max Liebermann was a German painter and printmaker of Ashkenazi Jewish ancestry, and one of the leading proponents of Impressionism in Germany.
The son of a Jewish fabric manufacturer turned banker from Berlin, Liebermann grew up in an imposing town house alongside the Brandenburg Gate.
He first studied law and philosophy at the University of Berlin, but later studied painting and drawing in Weimar in 1869, in Paris in 1872, and in the Netherlands in 1876–77.