Self-portrait with portrait of Bernard, ‘Les Misérables’ (1888)
Technique: Giclée quality print
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Welcome to an intriguing glimpse into the artistry of Paul Gauguin, showcased through his compelling painting, "Self-portrait with portrait of Bernard, 'Les Misérables' (1888)." This work is a profound display of self-reflection and connection, manifesting a dialogue between the artist and his peer.In this portrait, Gauguin captures himself with a stern, penetrating gaze, a direct engagement with the viewer that reveals his complex character. His visage is sharply rendered with robust strokes of green and blue, highlighting the contours of his face and his intense expression. This technique infuses the portrait with a raw, emotional charge, contrasting subtly with the more stylized approach to his surroundings.Beside him, almost emerging from the vibrant yellow background, is the profile of Émile Bernard, another significant figure in the Post-Impressionist movement. Bernard is depicted in a simplified, almost ghostly form, marked by an outline that suggests both his presence and his influence on Gauguin's life and thoughts. The inclusion of the title 'Les Misérables,' and Bernard’s name, further adds a layer of cultural and literary reference, pointing to shared intellectual interests and inspirations that bonded the two artists.The background is adorned with floral motifs and a lively palette that offsets the somberness of Gauguin’s expression. These elements of nature and bursts of color frame the central figures, creating a dynamic interplay between the depiction of human thought and natural beauty.This painting not only reflects Gauguin's mastery of color and form but also serves as a narrative canvas, expressing the intertwined paths of artist friends and the profound influence of literature and friendship on artistic creation. Through this self-portrait, Gauguin invites us into his world, offering a snapshot of his life, relationships, and the cultural currents that shaped his work.
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Eugène Henri Paul Gauguin was a French Post-Impressionist artist. Unappreciated until after his death, Gauguin is now recognized for his experimental use of color and Synthetist style that were distinct from Impressionism. Toward the end of his life, he spent ten years in French Polynesia. The paintings from this time depict people or landscapes from that region.