The Fifth Plague Of Egypt (1800)

Technique: Giclée quality print
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In the evocative painting "The Fifth Plague of Egypt" by Joseph Mallord William Turner, the somber and tumultuous atmosphere encapsulates the biblical narrative of God’s wrath upon Egypt. This artwork, created in 1800, reflects Turner's mastery in portraying light and nature amidst dramatic historical events.The scene depicted in Turner's painting is set against a backdrop of dark and swirling clouds, suggesting an impending storm or the aftermath of devastation, which aligns with the biblical plague that struck livestock. In the center, the Great Pyramid of Giza stands resilient yet overshadowed by the ominous sky, serving as a potent symbol of Egypt’s enduring strength and ancient mysteries.In the foreground, a poignant display of calamity shows animals lifeless on the ground, illustrating the severity of the plague's impact. This distressing sight of death and decay starkly contrasts with the enduring structures in the background, suggesting themes of mortality and the transient nature of life compared to the seeming permanence of human accomplishments.The painting’s palette is dominated by dark, earthy tones and rich shadows, punctuated by the subtle glimmers of light on the pyramid and city, bringing a divine or supernatural essence to the unfolding tragedy. Turner’s use of light not only highlights the central elements of his composition but also enhances the emotional depth and the overall turmoil depicted in this historical scene."The Fifth Plague of Egypt" is a profound testament to Turner’s ability to weave historical narrative with his unique interpretation of natural phenomena and light.

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Joseph Mallord William Turner RA, known in his time as William Turner, was an English Romantic painter, printmaker and watercolourist. He is known for his expressive colourisations, imaginative landscapes and turbulent, often violent marine paintings. He left behind more than 550 oil paintings, 2,000 watercolours, and 30,000 works on paper. He was championed by the leading English art critic John Ruskin from 1840, and is today regarded as having elevated landscape painting to an eminence rivalling history painting.