The Dogana and Santa Maria della Salute (Venice_1843)
Technique: Giclée quality print
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Discover one of Joseph Mallord William Turner’s exquisite explorations of light and atmosphere—*The Dogana and Santa Maria della Salute*, painted in 1843. This masterpiece captures an ethereal vision of Venice, where the grandeur of architecture meets the transient beauty of light and water.In this painting, Turner portrays the Santa Maria della Salute, a baroque church that has stood proudly as one of Venice's key landmarks since the 17th century. Rising majestically in the background, the church's domes hover like mirages above the shimmering lagoon. To its side, the Dogana di Mare, the old customs house of Venice, anchors the cityscape with its neoclassical façade and the iconic statue of Fortune on its summit.Turner uses his signature style of fluid brushstrokes and a palette rich in light blues, soft whites, and creamy yellows to evoke a luminous, almost dreamlike quality. The reflections in the water are masterfully rendered, blending sky and sea in a luminous interplay of color and light. The foreground shows bustling activity with Venetians and visitors, their forms suggested more by strokes of color than by detailed depiction.This work is not just a depiction of Venetian architecture; it's a tribute to the atmosphere of Venice itself—a city perennially veiled in the mystery of its light and waters. Turner's painting invites viewers to experience the luminosity and the ever-changing reflections of this iconic city, capturing the essence of Venice as a city built not only on water but in light.
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Joseph Mallord William Turner RA, known in his time as William Turner, was an English Romantic painter, printmaker and watercolourist. He is known for his expressive colourisations, imaginative landscapes and turbulent, often violent marine paintings. He left behind more than 550 oil paintings, 2,000 watercolours, and 30,000 works on paper. He was championed by the leading English art critic John Ruskin from 1840, and is today regarded as having elevated landscape painting to an eminence rivalling history painting.