Eglantier (1896)

Technique: Giclée quality print
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More about this artwork

"Eglantier" is a captivating painting by Maurice Pillard Verneuil, crafted in 1896. This work showcases Verneuil's profound affinity for nature and his prowess in the Art Nouveau style, which flourished at the turn of the 20th century. The painting vividly brings to life the eglantine rose, also known as the sweet briar, which has been a subject of admiration across various cultures due to its symbolic representation of beauty and resilience.The composition of "Eglantier" is both delicate and intricate, featuring a lush arrangement of eglantine rose branches that occupy the entirety of the canvas. The viewer's eyes are drawn to the soft pink blossoms, tender yet vibrant, each petal rendered with meticulous care. The leaves exhibit various shades of green, creating a lively contrast that enhances the gentle hues of the flowers. Interspersed among the foliage are the bright red rose hips, the fruit of the rose plant, which add a pop of color and symbolize fertility and bounty.Verneuil's attention to detail doesn’t stop at the botanical elements; the background is subtly adorned with a muted tone that does not detract from the primary focus but rather complements the floral arrangement. The restrained use of color and the elegant contours of the foliage and flowers reflect the artist’s mastery of the Art Nouveau ethos, emphasizing natural forms and lines that curve and flow gracefully."Eglantier" is more than just a visual delight; it is a testament to the enduring allure of nature’s creations, expertly captured through Verneuil's artistic lens.

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Maurice Pillard Verneuil was a French artist and decorator in the Art nouveau movement. He was born in Saint-Quentin, France. Maurice Pillard Verneuil learned his trade from the Swiss designer Eugène Grasset. Maurice Pillard Verneuil then went on to become a well-known artist and designer. He was inspired by Japanese art and nature, particularly the sea. He is known for his contribution to the art deco movement and, in particular, his use of bold, floral designs in ceramic tiles, wallpapers and other furnishing textiles.