Chardon 2 (1896)
Technique: Giclée quality print
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Maurice Pillard Verneuil's Chardon 2 (1896) captures the essence of the Art Nouveau movement, with its focus on natural forms, stylized botanical motifs, and delicate interlacing designs. The painting is composed of three individual rectangular panels, each featuring a different but harmoniously interconnected pattern inspired by the natural world.The largest panel, dominating the upper part of the composition, features an elaborate design of thistle plants (chardons in French), which give the piece its title. These thistles are rendered in rich purples and greens against a pale, ornamented background, showcasing Verneuil’s detailed and precise style. The flowing curves and organic forms are typical of Art Nouveau, aiming to mimic and enhance the inherent beauty of nature.Adjacent to this main panel are two smaller panels, each offering a unique yet thematically related design. The panel on the top right features slender, intertwining plants in shades of blue and green, creating a sense of depth and movement through their sinuous forms and contrasting hues. Below, the bottom panel repeats the theme of thistle, but in a bolder, more graphic representation using deep blues and earthy browns to emphasize the dramatic forms of the leaves and flowers.Together, these panels not only celebrate the natural beauty and complexity of the thistle but also demonstrate Verneuil's skill in applying the principles of Art Nouveau to decorative arts. Chardon 2 is emblematic of the era's fascination with nature, design, and ornamentation, blending aesthetics with the natural environment in an almost seamless way.
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Maurice Pillard Verneuil was a French artist and decorator in the Art nouveau movement. He was born in Saint-Quentin, France. Maurice Pillard Verneuil learned his trade from the Swiss designer Eugène Grasset. Maurice Pillard Verneuil then went on to become a well-known artist and designer. He was inspired by Japanese art and nature, particularly the sea. He is known for his contribution to the art deco movement and, in particular, his use of bold, floral designs in ceramic tiles, wallpapers and other furnishing textiles.