Minarets and grand entrance of the Metwaleys at Cairo. (1846-1849)
Technique: Giclée quality print
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The captivating painting titled "Minarets and grand entrance of the Metwaleys at Cairo" was crafted by the renowned artist David Roberts between 1846 and 1849. This meticulously detailed lithograph invites viewers into the bustling streets of Cairo, showcasing an extraordinary portrayal of Egyptian architecture and daily life during the mid-19th century.Central to the composition are the twin minarets, beautifully decorated with intricate patterns and capped with ornate finials that rise elegantly against the skyline. These architectural marvels not only serve as significant elements in Islamic worship but also as landmarks within the urban tapestry of Cairo.Beneath these towering structures is the grand entrance leading to what appears to be a place of significant cultural or religious importance. The archway and the surrounding buildings are adorned with meticulous carvings and Arabic calligraphy, reflecting the rich craftsmanship of the period.The foreground of the painting is bustling with life, portraying a variety of common folk engaged in their daily routines. Merchants, travelers, and local residents are depicted in vibrant attire, contributing to the dynamic atmosphere of the market street. Roberts' attention to detail in the facial expressions and costumes of the figures adds a layer of depth and realism to the scene.This remarkable artwork not only captures the architectural beauty of Cairo but also provides a window into the lively street scenes of the city during the 19th century, offering insights into the cultural and social dynamics of the time.
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David Roberts (24 October 1796 – 25 November 1864) was a Scottish painter. He is especially known for The Holy Land, Syria, Idumea, Arabia, Egypt, and Nubia, a prolific series of detailed lithograph prints of Egypt and the Near East that he produced from sketches he made during long tours of the region (1838–1840). These and his large oil paintings of similar subjects made him a prominent Orientalist painter. He was elected as a Royal Academician in 1841.