Temple at Esneh [Isnâ]. Nov. 25th, 1838. (1846-1849)
Technique: Giclée quality print
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Artist: David RobertsDate of Painting: November 25, 1838 (Published 1846-1849)David Roberts' artwork "Temple at Esneh [Isnâ]" showcases the grandeur and timeless allure of ancient Egyptian architecture coupled with the everyday life of the local people during the 19th century. Created during Roberts' extensive travels through Egypt in 1838, this painting provides a picturesque depiction of the Temple at Esna, a site renowned for its beautifully detailed columns and rich decorations.The painting reveals a moment frozen in time within the cool, shadowed confines of the temple. Massive, ornately carved columns dominate the view, drawing the eye upward to the intricate hieroglyphs etched into the stone, echoing tales of ancient deities and pharaonic legends. The detailed execution of the architectural elements underscores Roberts’ meticulous attention to detail and his passion for realism in his portrayal of historic sites.Life within this majestic relic is captured through the depiction of various figures dressed in traditional attire. Some individuals are seen engaged in conversation, creating a sense of community and daily routine, while others appear in solitary contemplation or repose, perhaps reflecting on the sanctity of their surroundings. The positioning of these figures suggests a harmonious coexistence of the contemporary with the ancient, a theme often explored in Roberts' works.This painting not only serves as a visual archive of historical and cultural significance but also as a testament to David Roberts' skill in capturing the essence of Egyptian heritage and its enduring impact on both locals and travelers alike.
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David Roberts (24 October 1796 – 25 November 1864) was a Scottish painter. He is especially known for The Holy Land, Syria, Idumea, Arabia, Egypt, and Nubia, a prolific series of detailed lithograph prints of Egypt and the Near East that he produced from sketches he made during long tours of the region (1838–1840). These and his large oil paintings of similar subjects made him a prominent Orientalist painter. He was elected as a Royal Academician in 1841.