Entrance to the caves of Beni Hasan. (1846-1849)
Technique: Giclée quality print
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David Roberts’ painting "Entrance to the Caves of Beni Hasan" captures both the grandiosity of ancient Egyptian architecture and the daily pastoral life that surrounded these monumental sites in the mid-19th century. At the forefront, the viewer is greeted by a tranquil scene of goats, some resting and others standing, tended to by a goat herder. The animals are depicted with remarkable detail, providing a vivid contrast to the stark and imposing carved entrance of the caves behind them.This entrance, grand and solemn, stands as a gateway to the past, featuring tall, iconic Egyptian columns and hieroglyphs etched with impeccable precision. These inscriptions and architectural details invite contemplation of Egypt’s rich history and its ancient civilizations. The interaction between human and animal in the front of such a historical backdrop suggests a continuity and timelessness, connecting the past with the present as depicted in Roberts' times.Roberts’ work is particularly noted for his skillful use of light and shadow, which gently highlights the textures of stone and fur alike, invoking a sense of serene realism. This piece is not just an artistic creation; it is a historical narrative that offers a glimpse into the everyday life near a historical site, blending the grandeur of ancient monuments with the mundane activities of daily life.
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David Roberts (24 October 1796 – 25 November 1864) was a Scottish painter. He is especially known for The Holy Land, Syria, Idumea, Arabia, Egypt, and Nubia, a prolific series of detailed lithograph prints of Egypt and the Near East that he produced from sketches he made during long tours of the region (1838–1840). These and his large oil paintings of similar subjects made him a prominent Orientalist painter. He was elected as a Royal Academician in 1841.