Madame Bonnard (1895-1900)

Technique: Giclée quality print
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More about this artwork

Édouard Vuillard, a master of intimate, interior scenes, often captured the essence of his subjects through muted colors and textured compositions. "Madame Bonnard," painted between 1895 and 1900, exemplifies Vuillard's unique approach to portraiture, marked by a personal and evocative style.In this painting, Madame Bonnard is depicted with a striking immediacy and closeness. Her gaze, directed outward, engages the viewer directly, suggesting a moment of casual yet captivating interaction. Vuillard's use of broad, expressive strokes and a restrained palette emphasizes the contours of her face and the details of her attire, particularly her hat.The hat itself is a focal point of the composition. Adorned with bold, decorative patterns in shades of blue and brown, it sits jauntily atop her head, adding a touch of whimsy and character to the portrait. This fashion statement, combined with her discerning eyes and the subtle tilting of her head, infuses the artwork with personality.Vuillard's background treatment is minimalistic, using neutral, earthy tones that focus attention on the subject herself. This technique highlights Madame Bonnard's visage and the textural interplay of fabric and flesh, a testament to Vuillard's skill in conveying complex human emotions and the texture of everyday life through simple yet powerful brushwork.

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Yes, reproductions can be returned.

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Jean-Édouard Vuillard (11 November 1868 – 21 June 1940) was a French painter, decorative artist, and printmaker. From 1891 through 1900, Vuillard was a prominent member of the avant garde artistic group Les Nabis, creating paintings that assembled areas of pure color. His interior scenes, influenced by Japanese prints, explored the spatial effects of flattened planes of color, pattern, and form. As a decorative artist, Vuillard painted theater sets, panels for interior decoration, and designed plates and stained glass. After 1900, when the Nabis broke up, Vuillard adopted a more realistic style, approaching landscapes and interiors with greater detail and vivid colors. In the 1920s and 1930s, he painted portraits of prominent figures in French industry and the arts in their familiar settings.

Vuillard was influenced by Paul Gauguin, among other post-impressionist painters.