Two Mythical Animals (Zwei Fabeltiere) (1914)

Technique: Giclée quality print
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More about this artwork

"Two Mythical Animals" (1914) is a captivating woodcut print by German Expressionist artist Franz Marc, known for his profound connection to animals which he often depicted with an almost spiritual reverence. In this striking black and white composition, Marc offers a glimpse into a fantastical realm where two mythical creatures exist in a dynamic and abstract arrangement.The image is characterized by bold, black lines and stark contrasts, creating an interplay of forms and figures that move fluidly across the canvas, suggesting motion and emotion. On the left side of the print, a creature resembling a horse appears to bend its head gracefully downwards, possibly drinking from an unseen source or bowing in a moment of quiet. Its body, though abstract, suggests strength and elegance with its sweeping curves and pointed features.On the right, another creature stands, perhaps a fantastical counterpart to the first, bearing a more square and robust build. Its features are less distinct but equally engaging, contributing to the dream-like quality of the piece. Its presence balances the composition, adding a sense of weight and depth to the scene.Marc's use of abstraction invites viewers to explore their own interpretations of these mythical beings, anchored in a landscape that feels both ancient and timeless. The artwork evokes a mystical connection to nature and the animal kingdom, a hallmark of Marc's artistic legacy."Two Mythical Animals" offers not only a visual feast for the eyes but also a meditation on the beauty and mystery of the world beyond human understanding.

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Franz Moritz Wilhelm Marc (8 February 1880 – 4 March 1916) was a German painter and printmaker, one of the key figures of German Expressionism. He was a founding member of Der Blaue Reiter (The Blue Rider), a journal whose name later became synonymous with the circle of artists collaborating in it.

His mature works mostly are animals, and are known for bright colors. He was drafted to serve in the German Army at the beginning of World War I, and died two years later at the Battle of Verdun.

In the 1930s, the Nazis named him a degenerate artist as part of their suppression of modern art. However, most of his work survived World War II, securing his legacy. His work is now exhibited in many eminent galleries and museums. When up for auction, his major paintings attract large sums, with a record of £42,654,500 for Die Füchse (The Foxes).