Animal Destinies (The Trees Showed Their Rings, the Animals Their Veins) (1913)

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"Animal Destinies (The Trees Showed Their Rings, the Animals Their Veins)" is a fascinating painting by German artist Franz Marc, created in 1913. This piece stands as a vivid expression of life’s complexity and the intertwined fates of nature's inhabitants.The artwork captures an almost kaleidoscopic vision where colors and forms intertwine seamlessly. Marc uses bold, saturated hues and dynamic shapes to depict a whirlwind of movement and energy. At first glance, the painting might seem an abstraction, but closer observation reveals the forms of various animals, potentially a horse and a deer, melded within a labyrinth of geometric and organic shapes. The animals appear both concealed and revealed by the colorful foliage and fracturing forms around them, suggesting a narrative of coexistence and mutual dependence with nature.Marc, known for his affiliations with Der Blaue Reiter (The Blue Rider), an influential group of early 20th-century artists, often explored themes of animal destiny and spirituality through his works. In this painting, he beautifully conveys his reverence for the natural world, emphasizing the deep, mystical connection between all living things. The title itself, “The Trees Showed Their Rings, the Animals Their Veins,” suggests a poetic reflection on life and the visible marks it leaves behind, both in the rings of trees and the veins of animals.This masterpiece not only mesmerizes with its aesthetic qualities but also provokes contemplation about the intricate links between life's visible and invisible forces.

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Franz Moritz Wilhelm Marc (8 February 1880 – 4 March 1916) was a German painter and printmaker, one of the key figures of German Expressionism. He was a founding member of Der Blaue Reiter (The Blue Rider), a journal whose name later became synonymous with the circle of artists collaborating in it.

His mature works mostly are animals, and are known for bright colors. He was drafted to serve in the German Army at the beginning of World War I, and died two years later at the Battle of Verdun.

In the 1930s, the Nazis named him a degenerate artist as part of their suppression of modern art. However, most of his work survived World War II, securing his legacy. His work is now exhibited in many eminent galleries and museums. When up for auction, his major paintings attract large sums, with a record of £42,654,500 for Die Füchse (The Foxes).