Die Wölfe (Balkankrieg) [The Wolves (Balkan War)] (1913)

Technique: Giclée quality print
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Titled "Die Wölfe (Balkankrieg)" ["The Wolves (Balkan War)"], this compelling work was painted in 1913 by German artist Franz Marc, a figure renowned for his vivid use of color and abstracted forms. The painting is an intense, dynamic portrayal that reflects the chaos and brutality of war, depicted through the metaphor of wolves.Marc uses sharp, fractured geometric shapes and stark contrasts to illustrate the turmoil and ferocity of the Balkan Wars, which rumbled through southeastern Europe just before World War I. Interestingly, rather than typical scenes of human conflict, Marc chooses wolves to represent the aggression and savagery of war, which can be seen prowling and clashing across the canvas.The painting's palette is rich and dark, with flashes of brighter colors that enhance the sense of explosive violence. Blacks, deep blues, and shadows dominate, signifying despair and destruction, while occasional bursts of red, yellow, and green slice through the composition, perhaps symbolizing the relentless, eruptive nature of conflict."Die Wölfe (Balkankrieg)" stands as a poignant example of Marc’s expressionistic style and his deep philosophical concerns about humanity’s disconnection from nature and each other. Through the ferocious depiction of wolves in battle, Marc ominously presages the larger and more devastating conflicts that were soon to consume Europe and the world.

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Franz Moritz Wilhelm Marc (8 February 1880 – 4 March 1916) was a German painter and printmaker, one of the key figures of German Expressionism. He was a founding member of Der Blaue Reiter (The Blue Rider), a journal whose name later became synonymous with the circle of artists collaborating in it.

His mature works mostly are animals, and are known for bright colors. He was drafted to serve in the German Army at the beginning of World War I, and died two years later at the Battle of Verdun.

In the 1930s, the Nazis named him a degenerate artist as part of their suppression of modern art. However, most of his work survived World War II, securing his legacy. His work is now exhibited in many eminent galleries and museums. When up for auction, his major paintings attract large sums, with a record of £42,654,500 for Die Füchse (The Foxes).