Creation I (Schöpfungsgeschichte I) (1914)

Technique: Giclée quality print
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Welcome to an exploration of "Creation I (Schöpfungsgeschichte I)" by Franz Marc, a remarkable piece from 1914 that vividly captures the dynamism and mystery of the natural world. In this woodcut print, Marc’s mastery in graphic art is profoundly evident as he interprets the theme of creation through a vibrant composition of interlocking forms and contrasting dark and light areas.The artwork is rich with symbolic representations. Animals, possibly including birds and feline figures, are intertwined with organic elements like plants and possibly orbs or celestial bodies, suggesting a universe burgeoning with life. Franz Marc's use of sharp, angular lines and bold, black-and-white contrasts imbues the scene with a sense of primitive vitality and raw energy. This stylistic approach not only enhances the visual impact but also deepens the thematic exploration of creation, emphasizing the primal force and the intertwined fate of living entities."Creation I" reflects Marc’s deep reverence for nature and his philosophical inquiries into the essence of life and the interconnectedness of all living things. It invites viewers to consider the profound and often mystical origins of existence, and the continuous, enigmatic process of creation and evolution.As you appreciate this piece, let yourself be drawn into the elemental and cosmic journey portrayed by Franz Marc.

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Franz Moritz Wilhelm Marc (8 February 1880 – 4 March 1916) was a German painter and printmaker, one of the key figures of German Expressionism. He was a founding member of Der Blaue Reiter (The Blue Rider), a journal whose name later became synonymous with the circle of artists collaborating in it.

His mature works mostly are animals, and are known for bright colors. He was drafted to serve in the German Army at the beginning of World War I, and died two years later at the Battle of Verdun.

In the 1930s, the Nazis named him a degenerate artist as part of their suppression of modern art. However, most of his work survived World War II, securing his legacy. His work is now exhibited in many eminent galleries and museums. When up for auction, his major paintings attract large sums, with a record of £42,654,500 for Die Füchse (The Foxes).