A lady in white (A portrait of Lady Lyle) (1895)

Technique: Giclée quality print
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A Lady in White (A Portrait of Lady Lyle) by Sir John Lavery, painted in 1895, is an exquisite representation of Victorian era elegance and grace. This arresting portrait of Lady Lyle captures her seated in an opulent yet understated pose, exuding a quiet confidence and dignified allure.Dressed in a luxuriant white gown adorned with lace and satin ribbons, her fashion is both rich in detail and regal in simplicity. The soft, diffused lighting accentuates the delicate textures of her dress and the gentle highlights in her dark hair, which is neatly styled to reflect the fashion of the time. The color palette is restrained, with muted earth tones in the background that enhance the luminosity of her white gown and the subtle glimmer of her pearl necklace, the only jewelry she wears, which underscores her refined taste.Sir John Lavery, known for his skill in portraiture, uses loose but controlled brushstrokes to imbue the composition with a sense of immediacy and intimacy. The subject’s direct gaze engages the viewer, suggesting a momentary pause in a longer narrative, while her hands delicately holding a small bouquet of flowers add a touch of color and a symbol of femininity.Through this painting, Lavery not only showcases his mastery of form and color but also provides insight into the societal stature and personality of Lady Lyle, making it a captivating historical document as well as a piece of artistic beauty.

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Sir John Lavery was an Irish painter best known for his portraits and wartime depictions.

John Lavery was born in inner North Belfast, baptised at St Patrick's Church, Belfast and, while still a child, moved to Scotland where he attended Haldane Academy in Glasgow in the 1870s and the Académie Julian in Paris in the early 1880s. He returned to Glasgow and was associated with the Glasgow School. William Burrell, a wealthy ship owner, was a faithful patron of Scottish artists including Joseph Crawhall II, with whom Lavery studied. In 1888 he was commissioned to paint the state visit of Queen Victoria to the Glasgow International Exhibition. This launched his career as a society painter and he moved to London soon after. In 1896, William Burrell commissioned Lavery to paint a portrait of his sister Mary Burrell.