Study Of A Man And A Girl Holding A Bowl

Technique: Giclée quality print
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More about this artwork

In Ludwig Deutsch's painting "Study of a Man and a Girl Holding a Bowl," we explore the rich narrative woven into the daily lives of its subjects. The artwork, crafted with meticulous attention to detail and vibrant coloration, portrays an elder man and a young girl in a scene brimming with cultural significance.The elderly man, dressed in a striking green robe and a white head covering, stands behind the much younger girl, his hands delicately positioned as he perhaps offers guidance or serves her. The girl, who clutches a small bowl, wears a long, flowing green dress, and her expression—pensive yet serene—draws us into the moment, prompting us to ponder over their interaction and the story unfolding.The backdrop is sparse, directing all attention to the figures and the immediate surroundings—a table adorned with simple culinary items, including bowls and bottles, suggesting a setting of domestic intimacy or everyday routine. The use of light accentuates the textures and colors of their garments and the simple dignity of their posture.Deutsch's work is renowned for its ability to capture the essence of life in the Eastern regions, and this painting is a testament to his skill in portraying human emotion and cultural depth through art. This piece not only serves as a visual archive of attire and lifestyle of the period but also evokes a narrative that feels both personal and universal—a moment of teaching, of sharing, or perhaps a simple daily ritual.

Delivery

We create reproductions on demand, with a production time of 5 to 7 business days.

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Returns

Yes, reproductions can be returned.

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Ludwig Deutsch was an Austrian painter who settled in Paris and became a noted Orientalist artist.

Details of Ludwig Deutsch's life are obscure. He was born in Vienna in 1855 into a well-established Jewish family. His father Ignaz Deutsch was a financier at the Austrian court. He studied at the Vienna Academy of Fine Arts 1872–1875, then, in 1878, moved to Paris where he became strongly associated with Orientalism.