Bouquet (iris, arum, tulipes) dans un vase d’André Metthey (ca 1910)
Technique: Giclée quality print
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We are delighted to feature the enchanting artwork by Paul Signac titled "Bouquet (iris, arum, tulipes) dans un vase d’André Metthey." This captivating piece, created around 1910, exemplifies Signac's masterful use of vibrant colors and bold strokes, a signature reflection of his pointillist and neo-impressionist influences.In this painting, we observe a lively arrangement of flowers—irises, arum lilies, and tulips—vibrantly bursting from an elegantly crafted vase by André Metthey. The choice of flowers brings a variety of shapes and colors to the forefront, creating a dynamic interplay of natural beauty. Each flower, rendered with individual attention, combines to form a cohesive and striking composition.The use of vivid outlines and contrasting hues highlights the organic forms of the flowers and leaves, making them almost dance against the creamy, textured background. This striking use of color not only accentuates the blossoms' delicate details but also sets a joyful tone that resonates with the observer.Signac's artistry in this work brilliantly captures the essence of a floral bouquet's transient beauty, immortalizing it in paint. This unique piece invites viewers to explore the interplay of light, color, and form, showcasing Signac’s ability to transform an everyday subject into an extraordinary visual experience.This painting is a celebration of nature and artistry, making it a perfect centerpiece for any collection and a continual source of inspiration and delight for viewers.
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Paul Signac (1863-1935) was a French Neo-Impressionist painter. Together with Georges Seurat, Signac developed the Pointillism style. He was a passionate sailor, bringing back watercolor sketches of ports and nature from his travels, then turning them into large studio canvases with mosaic-like squares of color. He abandoned the short brushstrokes and intuitive dabs of color of the impressionists for a more exact scientific approach to applying dots with the intention to combine and blend not on the canvas, but in the viewer's eye.