The Entombment

Technique: Giclée quality print
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"The Entombment" by Edward Burne Jones is a deeply moving and symbolically rich painting that captures a poignant moment of grief and solemnity. The composition focuses on a central figure, who appears lifeless and is being gently held and attended to by figures in sorrowful poses. These figures, dressed in draped garments that echo classical or medieval styles, add a timeless quality to the scene, emphasizing the universal and enduring nature of grief.The color palette is muted, consisting mainly of silvery and bluish tones, which enhances the somber mood of the artwork. The use of light and shadow is masterfully executed, highlighting the contours of the figures and creating a sense of depth and volume. This chiaroscuro effect not only draws attention to the central figure but also contributes to the overall atmosphere of mourning.The painting likely portrays a scene of entombment, as suggested by the title, where the figures are depicted in the act of laying the body to rest. The expressions on the faces and the tender way in which the figures handle the body convey a profound sense of loss and compassion.Overall, Edward Burne Jones's "The Entombment" is a powerful depiction of a solemn biblical or mythological event, rendered with emotional depth and artistic mastery that invite viewers to reflect on themes of mortality, sorrow, and the human condition.

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Sir Edward Burne-Jones (1833-1898) was a British designer and Victorian narrative painter. He was born in Birmingham to a picture-framer. He intended to become a minister and studied theology at Oxford. However, his life took a turn when he met William Morris. Together they formed The Brotherhood, a society worshipping the poets and architecture of the middle ages. They both worked together on several projects for Morris & Co. Burne-Jones designed tapestries, jewellery, sculptures, ceramics, furniture and stained glass for the company. His artworks truly captured the spirit of the nineteenth century and the Arts and Crafts movement. In recent decades his art has had a renaissance and become among the most expensive pre-raphaelite artworks to be sold at auction.