Si quebró el Cantaro. (Yes he broke the pot.) (1796-1797)
Technique: Giclée quality print
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Francisco de Goya, a master of Spanish art, presents a captivating etching titled "Sí quebró el Cantaro" from his prolific period of the late 18th century. This artwork is a part of Goya's famed "Los Caprichos" series, which is celebrated for its critical and complex portrayal of Spanish society.The scene vividly captures a moment of domestic mishap and its immediate aftermath. The central figure, a young boy, appears distraught and overwhelmed by his accidental breaking of a pot. The broken pieces of the pot are scattered across the foreground, highlighting the extent of the mishap. The boy’s expressive posture and facial expression powerfully convey a blend of regret and fear, possibly anticipating the consequences of his actions.Adding depth to the composition, Goya places hanging laundry in the background, which not only contextualizes the setting within the household but also enhances the sense of everyday life interrupted by an unforeseen event. This backdrop serves as a stark contrast to the turmoil occurring in the foreground, emphasizing the disruption caused by the broken pot."Sí quebró el Cantaro" serves as a poignant exploration of childhood innocence, responsibility, and the social expectations placed upon individuals, even at a young age. As with many of Goya’s works within "Los Caprichos," this etching transcends its immediate narrative to offer commentary on broader human experiences and societal norms.This masterful work, rich in emotion and social commentary, encapsulates Goya’s skill in using simple scenes to delve into complex themes.
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Francisco José de Goya y Lucientes (30 March 1746 – 16 April 1828) was a Spanish romantic painter and printmaker. He is considered the most important Spanish artist of the late 18th and early 19th centuries. His paintings, drawings, and engravings reflected contemporary historical upheavals and influenced important 19th- and 20th-century painters. Goya is often referred to as the last of the Old Masters and the first of the moderns.