Bien tirada está. (It is nicely stretched.) (1796-1797)
Technique: Giclée quality print
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The etching "Bien tirada está" (It is nicely stretched) from 1796–1797, showcases the insightful and critical gaze of Francisco de Goya y Lucientes, one of Spain’s most revered artists. This work forms part of Goya's famous series, "Los Caprichos," that often delved into the complexities of human nature, social norms, and morality. In this particular piece, an intriguing interaction unfolds between two figures.The scene depicts a young woman, draped in a simple, flowing dress, who bends to adjust the sandal strap of an older woman. The older figure, wearing traditional garb and a somewhat grotesque, exaggeratedly wrinkled mask, is seated and looks up at the younger woman. The contrast between their expressions and physical demeanor is stark and may suggest a commentary on youth and age, or perhaps on societal roles and expectations. The setting is modest, subdued in tone, and focused entirely on their interaction.Goya's mastery in using chiaroscuro (contrast between light and dark) enhances the dramatic effect and draws the viewer's attention to the intimate yet ambiguous activity taking place. As with many of Goya's prints in "Los Caprichos," this image is likely a satirical portrayal that explores the deeper, often darker aspects of human behavior and societal norms—encouraging viewers to contemplate the implications of the seemingly mundane actions depicted.
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Francisco José de Goya y Lucientes (30 March 1746 – 16 April 1828) was a Spanish romantic painter and printmaker. He is considered the most important Spanish artist of the late 18th and early 19th centuries. His paintings, drawings, and engravings reflected contemporary historical upheavals and influenced important 19th- and 20th-century painters. Goya is often referred to as the last of the Old Masters and the first of the moderns.