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Adagio (around 1928) reproduction of painting by Karl Wiener. ALL GICLEE PRINTS

Adagio (around 1928)

Karl Wiener
Technique: Giclée quality print
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In the mesmerizing embrace of Karl Wiener's painting "Adagio" (circa 1928), viewers are treated to a symphony of colors and sweeping forms that transcend the canvas into a vibrant dance of emotion and expression. This artwork, beautifully utilizing the medium of watercolor, showcases Wiener’s exquisite ability to harmonize both tone and movement.The painting presents an interplay of vivid colors and dynamic shapes that seem to pulse with life. Dominating the scene are two red flame-like shapes that surge upward, perhaps symbolic of passion or the human spirit. These are gracefully enveloped by rich, winding ribbons of blues and yellows, suggesting a fluid, almost musical movement. The background, painted in soft pastels, contrasts sharply with these intense colors, providing a tranquil yet profound depth that compels contemplation."Adagio," traditionally a musical term for a slow and steady tempo, is perfectly embodied in this piece. The slow unraveling of shapes and gradation of colors may represent a slow dance or a calm, introspective melody, inviting viewers to pause and reflect on the emotions conveyed through the abstract forms.

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We create reproductions on demand, with a production time of 5 to 7 business days.

Our courier service ensures delivery within an additional two business days.

If you need a faster turnaround, please contact us. We can often expedite the process to meet your needs.

You can also pick up your paintings at our galleries in Kaunas or Vilnius.

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Yes, reproductions can be returned.

If you have any concerns more than 30 days after purchase, please contact us. We will either provide a refund or offer a replacement!

Please note that we accept a maximum of two returns per customer. Since reproductions are made to order, we encourage you to choose responsibly.

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Artist
Karl Wiener
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Karl Wiener was an Austrian draftsman , graphic artist and photo montage artist. Because of his political and time-critical montages of the 1930s and 1940s, he was posthumously referred to as the Austrian John Heartfield on the occasion of the major retrospective on his estate in the Wien Museum.

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