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Naturstudie XLIV (1924) reproduction of painting by Karl Wiener. ALL GICLEE PRINTS

Naturstudie XLIV (1924)

Karl Wiener
Technique: Giclée quality print
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We are proud to showcase "Naturstudie XLIV" by Karl Wiener, a striking piece from the year 1924. This captivating landscape painting presents an exuberant sunset that bathes the scene in a glorious spectrum of colors. The artwork features a series of rolling, dark hills that form a serene horizon under a vast expansive sky. The sky itself is a masterful gradient of colors, transitioning from a deep blue at the top, through bands of purple, yellow, and finally into a vibrant orange at the horizon where the sun is setting.The use of colored crayons gives a textured vibrance to the scene, allowing each stroke to resonate with energy and movement. Notable are the soft, swirling patterns in the clouds which add a dynamic contrast to the solid, undulating forms of the hills. This tableau is not just a mere representation of nature, but a vivid interpretation that evokes emotion and contemplation.Karl Wiener’s use of bright, bold colors offset by the dark silhouetted landscapes conveys a moment of quietude as day gives way to night, reminding us of the ever-changing beauty of the natural world.

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We create reproductions on demand, with a production time of 5 to 7 business days.

Our courier service ensures delivery within an additional two business days.

If you need a faster turnaround, please contact us. We can often expedite the process to meet your needs.

You can also pick up your paintings at our galleries in Kaunas or Vilnius.

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Yes, reproductions can be returned.

If you have any concerns more than 30 days after purchase, please contact us. We will either provide a refund or offer a replacement!

Please note that we accept a maximum of two returns per customer. Since reproductions are made to order, we encourage you to choose responsibly.

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Artist
Karl Wiener
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Karl Wiener was an Austrian draftsman , graphic artist and photo montage artist. Because of his political and time-critical montages of the 1930s and 1940s, he was posthumously referred to as the Austrian John Heartfield on the occasion of the major retrospective on his estate in the Wien Museum.

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