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La Sagrada familia con Santa Isabel y San Juan reproduction of painting by Peter Paul Rubens. ALL GICLEE PRINTS

La Sagrada familia con Santa Isabel y San Juan

Peter Paul Rubens
Technique: Giclée quality print
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Peter Paul Rubens, a master of the Baroque style, captures a tender and intimate moment in his painting "La Sagrada Familia con Santa Isabel y San Juan." This artwork, rich in emotional depth and exquisite color, portrays the Holy Family together with Saint Elizabeth and Saint John.At the center of the composition, the Virgin Mary is depicted holding a playful and robust infant Jesus. Her gentle expression resonates with maternal love and tenderness. Beside her, Saint Elizabeth, depicted with a serene and wise countenance, looks on affectionately while young John the Baptist interacts with Jesus. Completing the group, Saint Joseph stands in the background, his gaze reflecting a quiet protector’s vigilance.Rubens' use of vivid colors, particularly the deep red of Mary's robe and the contrasting dark tones in the background, draws attention to the figures, highlighting their divine presence amidst the earthly tones. The fluidity of the brush strokes and the dynamic composition evoke a sense of life and movement, characteristic of Rubens' work.

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Artist
Peter Paul Rubens
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Sir Peter Paul Rubens was a Flemish artist and diplomat from the Duchy of Brabant in the Southern Netherlands (modern-day Belgium). He is considered the most influential artist of the Flemish Baroque tradition. Rubens's highly charged compositions reference erudite aspects of classical and Christian history. His unique and immensely popular Baroque style emphasized movement, colour, and sensuality, which followed the immediate, dramatic artistic style promoted in the Counter-Reformation. Rubens was a painter producing altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. He was also a prolific designer of cartoons for the Flemish tapestry workshops and of frontispieces for the publishers in Antwerp.

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