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Adoration of the Magi (1628-1629) reproduction of painting by Peter Paul Rubens. ALL GICLEE PRINTS

Adoration of the Magi (1628-1629)

Peter Paul Rubens
Technique: Giclée quality print
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The "Adoration of the Magi" by Peter Paul Rubens, painted between 1628-1629, is a vibrant and dynamic representation of the Biblical story where the Three Wise Men, or Magi, visit the newborn Jesus. This magnificent artwork is a prime example of Rubens' masterful use of color and his ability to depict human figures with intense emotion and dramatic intensity.In the painting, the central scene shows the Virgin Mary clothed in a soft blue robe, presenting the infant Jesus to the Magi, who kneel and stand around Him in awe. Each Magus, distinct in their rich attire and exotic headgear, represents different ages of man and different parts of the world, symbolizing the universal recognition of Christ's divinity.Rubens includes a bustling crowd behind the Magi, densely packed with various figures, both human and animal. This adds a lively atmosphere to the scene, contrasting with the serene interaction at the forefront. Angels hover above, amidst a break in the clouds, further emphasizing the heavenly approval of the event. The use of light skillfully highlights the infant, making Him the focal point of the scene.The blend of realism in the physical portrayal of the figures and the supernatural elements showcases Rubens' skill in bridging earthly and divine realms.

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Artist
Peter Paul Rubens
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Sir Peter Paul Rubens was a Flemish artist and diplomat from the Duchy of Brabant in the Southern Netherlands (modern-day Belgium). He is considered the most influential artist of the Flemish Baroque tradition. Rubens's highly charged compositions reference erudite aspects of classical and Christian history. His unique and immensely popular Baroque style emphasized movement, colour, and sensuality, which followed the immediate, dramatic artistic style promoted in the Counter-Reformation. Rubens was a painter producing altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. He was also a prolific designer of cartoons for the Flemish tapestry workshops and of frontispieces for the publishers in Antwerp.

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