Design for the cover of the almanac ‘The Blue Rider’ (1911)

Technique: Giclée quality print
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More about this artwork

This vibrant and dynamic artwork by Wassily Kandinsky, titled "Design for the cover of the almanac ‘The Blue Rider’ (1911)," beautifully encapsulates the spirit and artistic innovation of Kandinsky's oeuvre during this period. What we see is a bold composition that combines abstract and figurative elements, unified by a vivid, expressive use of color and form.Central to the image is a striking depiction of a white horse, positioned almost as if in mid-gallop. The horse appears elegant and motion-filled, its body curving gracefully. Surrounding the horse are various abstract shapes and lines: swirls, patches, dots, and various organic forms, creating a dynamic, almost musical rhythm through the painting. The use of a horse is particularly significant, as it aligns with the themes of the Blue Rider Almanac, which focused heavily on expressionism and the breaking away from traditional artistic forms.The color palette is rich and vivid – with deep blues, intense pinks and reds, juxtaposed against lighter yellows and greens, lending a dreamlike and almost mythical quality to the scene. The contrast between the expressive color patches and the delicate linear details highlights Kandinsky’s exploration of color theory and abstract imagery as expressions of spiritual ideas.The yellow background, painted with lighter spots, may suggest a kind of celestial or illuminated space, further amplifying the sense of otherworldliness and transcendence that is typical of Kandinsky’s abstract works.

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Wassily Wassilyevich Kandinsky was a Russian painter and art theorist. Kandinsky is generally credited as the pioneer of abstract art. Born in Moscow, Kandinsky spent his childhood in Odessa, where he graduated at Grekov Odessa Art school. He enrolled at the University of Moscow, studying law and economics. Successful in his profession—he was offered a professorship (chair of Roman Law) at the University of Dorpat today Tartu, Estonia)—Kandinsky began painting studies (life-drawing, sketching and anatomy) at the age of 30.