Oorlogsvluchtelingen in de sneeuw (1914)

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This painting by Alfred Ost, titled "Oorlogsvluchtelingen in de sneeuw" (War Refugees in the Snow), created in 1914, vividly captures the harsh reality and emotional intensity of war refugees' plight during a frigid winter. The artwork illustrates a group of individuals, presumably displaced by the conflicts of World War I, traversing through a snowy landscape.In the foreground, a woman, dominant in the scene, is dramatically bent forward under the weight of a hefty, bulging sack slung over her shoulder, suggesting the burden of her plight. Her expression, marked by an open mouth almost in a shout or wail, conveys a sense of urgent distress or calling out. She is clad in traditional wear, likely earmarking her national or regional identity, with a kerchief tied around her head and her skirt billowing against the snowy gust.Beside her, and slightly behind, are three men, all equally burdened and dressed in dark, heavy clothing appropriate for the cold weather. Their postures—bent forward against the wind, hands jammed in their pockets or wrapped around themselves—speak to the severity of the cold they are enduring. The color palette is muted with instances of blue and gray dominating, reflecting the bleak, cold atmosphere.The scene is set against a sparse, almost barren landscape, with a few indistinct structures in the background, possibly hinting at a desolate village or temporary shelters.

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Alfred Ost was a renowned Belgian painter. In 1920, he garnered a bronze medal in the art competition at the Olympic Games for his exquisite painting titled "The Footballer" (Joueur de Football). Interestingly, that was the year when the Olympic Games expanded to include categories such as painting, architecture, literature, music, and sculpture.

During the challenging times of the Second World War, Alfred faced immense hardships, even running out of essential supplies like food. However, he managed to sustain himself through the help of Jesuit priests from the Xavier College in Antwerp. This help was in return for the religious artwork he contributed.

The Jesuits admired his artwork and provided him the opportunity to create murals across their school. These masterpieces illustrated the life of Francis Xavier, the patron saint of the Jesuit order and the eponymous college. Owing to a wartime scarcity of paints, Alfred resourcefully employed charcoal and charcoal sticks for his work. Later, these murals were preserved with a protective layer, and they continue to be among the school's most treasured possessions to this day.