Carousel (1930)

Technique: Giclée quality print
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More about this artwork

This painting by Alfred Ost, titled "Carousel" from 1930, is a vivid and expressive depiction of a carousel in motion. The artwork is characterized by dynamic, fluid ink lines that capture the lively energy of the scene. The artwork skillfully portrays the whirling movement of the carousel horses and riders, creating a sense of both excitement and chaos.The use of monochromatic ink allows for a dramatic contrast, emphasizing the motion and the festive environment of the carousel. Figures are sketched with a combination of precision and spontaneity, giving life to the joy and exhilaration of the riders. The background and foreground are bustling with spectators, their forms more loosely defined, adding depth and a sense of the crowd's involvement in the event.Overall, Ost’s work here is charged with a kinetic quality through his masterful handling of line and composition, effectively conveying the joyous, swirling atmosphere of a fairground ride. His unique style invites viewers to experience not just the visual spectacle, but the exhilarating motion of a carousel in full swing.

Delivery

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Returns

Yes, reproductions can be returned.

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Alfred Ost was a renowned Belgian painter. In 1920, he garnered a bronze medal in the art competition at the Olympic Games for his exquisite painting titled "The Footballer" (Joueur de Football). Interestingly, that was the year when the Olympic Games expanded to include categories such as painting, architecture, literature, music, and sculpture.

During the challenging times of the Second World War, Alfred faced immense hardships, even running out of essential supplies like food. However, he managed to sustain himself through the help of Jesuit priests from the Xavier College in Antwerp. This help was in return for the religious artwork he contributed.

The Jesuits admired his artwork and provided him the opportunity to create murals across their school. These masterpieces illustrated the life of Francis Xavier, the patron saint of the Jesuit order and the eponymous college. Owing to a wartime scarcity of paints, Alfred resourcefully employed charcoal and charcoal sticks for his work. Later, these murals were preserved with a protective layer, and they continue to be among the school's most treasured possessions to this day.