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The Black Hat reproduction of painting by Mary Cassatt. ALL GICLEE PRINTS

The Black Hat

Mary Cassatt
Technique: Giclée quality print
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"The Black Hat" by Mary Cassatt is a captivating portrait of a young girl wearing an elegant black hat adorned with feathers. She looks directly at the viewer, her face framed by the dramatic, wide-brimmed hat which casts a slight shadow, softly shading her expressive eyes. The girl's attire is complemented by a pastel blue dress with a high ruffled collar, adding a graceful contrast to the dark hat.Cassatt's use of pastel colors and soft, light strokes captures the texture of the girl's skin and clothing vividly, giving the image a delicate and intimate feel. The background is neutral and muted, focusing all attention on the subject. Her gaze is serene yet penetrating, inviting the viewer to reflect on her thoughts and emotions.This artwork is a fine example of Cassatt’s skill in portraying the subtleties of expression and the sophistication of young women's fashion during her time. It also reflects her focus on the social and private lives of women, capturing moments that are both ordinary and beautifully introspective.

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If you need a faster turnaround, please contact us. We can often expedite the process to meet your needs.

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Yes, reproductions can be returned.

If you have any concerns more than 30 days after purchase, please contact us. We will either provide a refund or offer a replacement!

Please note that we accept a maximum of two returns per customer. Since reproductions are made to order, we encourage you to choose responsibly.

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Artist
Mary Cassatt
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Mary Stevenson Cassatt was an American painter and printmaker. She was born in Allegheny City, Pennsylvania (now part of Pittsburgh’s North Side), but lived much of her adult life in France where she befriended Edgar Degas and exhibited with the Impressionists. Cassatt often created images of the social and private lives of women, with particular emphasis on the intimate bonds between mothers and children.

She was described by Gustave Geffroy as one of "les trois grandes dames" (the three great ladies) of Impressionism alongside Marie Bracquemond and Berthe Morisot.In 1879, Diego Martelli compared her to Degas, as they both sought to depict movement, light, and design in the most modern sense.

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