The Opening Of The Sixth Seal

Technique: Giclée quality print
Recommended by our customers
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More about this artwork

"The Opening of the Sixth Seal" by Albrecht Dürer is a compelling and intricate woodcut that depicts a scene from the Book of Revelation, capturing the profound and chaotic moments as described in the biblical text.In the upper section of the artwork, celestial figures, including angels and other heavenly beings, are gathered around an opened scroll, symbolizing divine revelation or judgment. This gathering is depicted with a high level of detail and reverence, showing the seriousness of the event. The presence of divine and angelic beings emphasizes the spiritual and otherworldly nature of the scene.Central to the composition is the dramatic depiction of the sun and the moon, portrayed in a strikingly direct and symbolic manner. The sun has a face and seems to emit light or energy, while the moon also bears a human-like face, encapsulated within a darkened disc, illustrating the cosmic disturbances accompanying the opening of the sixth seal.The lower part of the print is filled with a dense crowd of human figures representing humanity facing the divine judgment or catastrophe. The expressions and poses of these figures range from desperation to awe, capturing a wide spectrum of human emotion in response to the apocalyptic events.

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Yes, reproductions can be returned.

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Christian paintings, woodcuts and landscapes by the German Renaissance master Albrecht Dürer (1471-1528). Dürer's pieces on Christian themes and allegory are considered to be the finest examples of the Northern Renaissance. One of Dürer's most famous works on Christ is his "Crucifixion" woodcut (1503). The piece demonstrates Dürer's mastery of the medium and deep understanding of Christian symbolism. The work depicts the crucifixion of Christ in a powerful and realistic manner, with an emphasis on the suffering and sacrifice of Christ. Dürer began his career as an apprentice in Nuremberg to the master craftsman Michael Wolgemut. He later became the founding member of the city's painters' guild and was an active member of humanist circles prominent in Nuremberg at the time.