Portrait of a Clergyman Johann Dorsch (1516)

Technique: Giclée quality print
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More about this artwork

"Portrait of a Clergyman Johann Dorsch," crafted by the Renaissance master Albrecht Dürer in 1516, stands as a remarkable exemplar of Dürer's proficiency in portraiture. This captivating painting presents a vivid, lifelike representation of Johann Dorsch, a clergyman, whose dignified and thoughtful expression captures the viewer’s attention.Set against a muted green background that accentuates his features and the sharp contrast of his black clerical attire, the focus is drawn immediately to Dorsch's face. The detail with which Dürer has rendered his subject’s visage – from the furrowed brow and intense gaze to the individual strands of his auburn hair – showcases the artist’s skill in capturing human emotion and character.Dürer’s use of oil on panel allows for rich, deep colors and a meticulous attention to texture, seen particularly in the rendering of the light on the cleric's black robe and the softness of his cap. The artist’s signature and the date, subtly included in the upper right corner, do not detract but rather affirm the artwork’s authenticity and the historical context of its creation.This portrait not only offers a window into the identity and status of Johann Dorsch but also highlights Dürer's artistic legacy, characterized by exquisite detail, psychological depth, and a masterful use of color.

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Yes, reproductions can be returned.

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Christian paintings, woodcuts and landscapes by the German Renaissance master Albrecht Dürer (1471-1528). Dürer's pieces on Christian themes and allegory are considered to be the finest examples of the Northern Renaissance. One of Dürer's most famous works on Christ is his "Crucifixion" woodcut (1503). The piece demonstrates Dürer's mastery of the medium and deep understanding of Christian symbolism. The work depicts the crucifixion of Christ in a powerful and realistic manner, with an emphasis on the suffering and sacrifice of Christ. Dürer began his career as an apprentice in Nuremberg to the master craftsman Michael Wolgemut. He later became the founding member of the city's painters' guild and was an active member of humanist circles prominent in Nuremberg at the time.