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Poster For The "Revue Blanche" reproduction of painting by Pierre Bonnard. ALL GICLEE PRINTS

Poster For The "Revue Blanche"

Pierre Bonnard
Technique: Giclée quality print
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The painting "Poster For The 'Revue Blanche'" by Pierre Bonnard is a striking piece of artwork mainly using a limited color palette of black, white, and shades of gray, with minimal use of yellowish-cream highlights. The composition features a central, hooded figure with her face softly illuminated and detailed. The eyes of the figure, somber yet engaging, are the focal point, drawing the viewer in.This illustration is done in a style that mixes realism with elements of the fantastical, characteristic of Bonnard’s approach. The background and the rest of the space are filled with fragmented text and patches of various shapes, evoking the feel of torn paper. Large text "La Revue Blanche" cuts through the image, emphasizing the name of the publication the poster advertises.The text in the background subtly breaks down into smaller segments, suggesting the content's breakdown into issues or parts, aligning with the idea that "La Revue Blanche" was a periodical published monthly. Flowers and abstract shapes that appear to be torn pages or perhaps ice patches intermingle with the text, adding to the overall mysterious and artistic quality of the work.

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Yes, reproductions can be returned.

If you have any concerns more than 30 days after purchase, please contact us. We will either provide a refund or offer a replacement!

Please note that we accept a maximum of two returns per customer. Since reproductions are made to order, we encourage you to choose responsibly.

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Artist
Pierre Bonnard
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Pierre Bonnard (1867-1947) was a French post-impressionist painter, printmaker, and the leader of the Intimist art movement. He is regarded as one of the greatest colourists of modern art. Together with other young artists in Montmarte, Bonnard co-founded the group known as Les Nabis, translated from the arabic word “prophet”. He was known for a painting style that was very intimate, featuring friends in a garden, nudes, interiors and sunlit objects of everyday life. He began by painting in watercolor, composing scenes and deeply familiarizing himself with the subject, before transferring the composition to canvas. In many of his paintings, his mistress Marthe was the main subject. She was his most important model and was often pictured nude, after 30 years they finally married. 

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