Dining Room In The Country

Technique: Giclée quality print
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More about this artwork

"Dining Room in the Country" by Pierre Bonnard is a vivid and warm depiction of a serene moment within a domestic setting, possibly inspired by his own home life. The painting captures an indoor scene that seamlessly extends into the lush and inviting outdoors. The perspective is drawn from inside a dining room looking outwards, creating a sense of being both inside and connected to nature.The interior is filled with rich, warm colors. On the left, an open door reveals a corner of the dining room painted in vibrant reds and oranges, enhancing the cozy ambiance. A small table adorned with what appear to be vases sits under the shelves, adding a homely touch.Central in the painting is a dining table covered with a white cloth, upon which two plates of oysters and, possibly, a cup can be observed, hinting at a just-finished or about to be commenced meal. This element, although simple, invites thoughts of communal living and the pleasures of dining.The wide-open French window occupies a significant part of the composition, bridging the inside with the colorful garden beyond. Through these windows, the viewer sees a lush green landscape and a bright, blooming garden that captures the beauty and tranquility of the countryside.To the right, a figure, likely a woman, is seen seated at a table gazing out toward the viewer. Her presence adds a contemplative and intimate dimension to the scene.

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Pierre Bonnard (1867-1947) was a French post-impressionist painter, printmaker, and the leader of the Intimist art movement. He is regarded as one of the greatest colourists of modern art. Together with other young artists in Montmarte, Bonnard co-founded the group known as Les Nabis, translated from the arabic word “prophet”. He was known for a painting style that was very intimate, featuring friends in a garden, nudes, interiors and sunlit objects of everyday life. He began by painting in watercolor, composing scenes and deeply familiarizing himself with the subject, before transferring the composition to canvas. In many of his paintings, his mistress Marthe was the main subject. She was his most important model and was often pictured nude, after 30 years they finally married.