Woman Standing In Her Bathtub

Technique: Giclée quality print
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More about this artwork

This artwork by Pierre Bonnard, titled "Woman Standing In Her Bathtub," is a striking example of his work that captures a moment of everyday intimacy. The image depicts a woman, bending forward in a bathtub. The composition and posture of the figure suggest a spontaneous, private moment, caught in a frame that feels both immediate and personal.Bonnard’s use of expressive line work in the lithograph adds depth to the figure and reflects a rich play of light and shadows. The setting is minimal, focusing primarily on the figure, which allows the viewer to concentrate on her form and the subtle interaction of light across her body. The darkness of the space around her highlights her physique, enhancing the contours and the naturalistic details of the human body.These artistic choices underscore Bonnard's focus on the intimate aspects of everyday life and his ability to transform them into a deeply expressive, evocative scene. The textural quality of the lithography adds a tactile element to the work, inviting the viewer to almost feel the weight and presence of the atmosphere and the subject’s skin. This piece, like many of Bonnard’s works, not only captures a physical reality but also evokes a quiet, contemplative mood that resonates with viewers, drawing them into this private, serene moment.

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Yes, reproductions can be returned.

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Pierre Bonnard (1867-1947) was a French post-impressionist painter, printmaker, and the leader of the Intimist art movement. He is regarded as one of the greatest colourists of modern art. Together with other young artists in Montmarte, Bonnard co-founded the group known as Les Nabis, translated from the arabic word “prophet”. He was known for a painting style that was very intimate, featuring friends in a garden, nudes, interiors and sunlit objects of everyday life. He began by painting in watercolor, composing scenes and deeply familiarizing himself with the subject, before transferring the composition to canvas. In many of his paintings, his mistress Marthe was the main subject. She was his most important model and was often pictured nude, after 30 years they finally married.