Soga No Adauchi

Technique: Giclée quality print
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More about this artwork

The artwork "Soga No Adauchi" by Utagawa Yoshikazu is a vivid and dynamic woodblock print that portrays a dramatic, action-packed scene from a well-known Japanese legend concerning the Soga brothers' quest for revenge. The title translates to "The Revenge of the Soga Brothers."In the painting, there are multiple samurai warriors engaged in a brutal confrontation. The composition is dense and bustling with activity, capturing the intense moment of their battle. The warriors are depicted with striking facial expressions and dynamic poses, adding to the sense of movement and urgency in the scene.One of the central figures in the image can be seen lunging forward with his sword drawn, aiming towards an opponent. This samurai, like others in the image, is dressed in elaborate traditional armor, which is colorfully detailed and contributes to the overall visual impact of the scene. Each warrior’s armor is distinct, featuring different patterns and colors, making each character stand out despite the complex scene.The setting appears to be a forest at night, as suggested by the dark and muted background filled with stylized trees and subdued colors. This setting enhances the drama and tension of the scene.The print is filled with Japanese text in vertical columns, possibly providing context or dialogue that relates to the narrative moment being depicted.

Delivery

We create reproductions on demand, with a production time of 5 to 7 business days.

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You can also pick up your paintings at our galleries in Kaunas or Vilnius.

Returns

Yes, reproductions can be returned.

If you have any concerns more than 30 days after purchase, please contact us. We will either provide a refund or offer a replacement!

Please note that we accept a maximum of two returns per customer. Since reproductions are made to order, we encourage you to choose responsibly.

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Utagawa Yoshikazu (CA. 1850–1870) was one of the great Japanese painters of the Edo period. Through his Ukiyo-e style, he brilliantly depicted the Japanese middle-class story, as well as the Western foreigners who came to live and work in Japan during the same period.