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Samoerai Aoyama En Het Spook Okiku reproduction of painting by Toyohara Kunichika. ALL GICLEE PRINTS

Samoerai Aoyama En Het Spook Okiku

Toyohara Kunichika
Technique: Giclée quality print
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The painting "Samoerai Aoyama En Het Spook Okiku" by Toyohara Kunichika is a striking piece of Japanese ukiyo-e art that illustrates a dramatic and ghostly scene. At the heart of this artwork is the depiction of Okiku, a famous spirit from Japanese folklore, known from the tragic story of "Banchō Sarayashiki."In the image, Okiku appears with an intense and haunting expression, her face pale and her eyes wide and staring. Her long, flowing hair, a common motif in depictions of Japanese ghosts (yūrei), cascades dramatically around her. Her body is shown with a sort of ethereal, translucent quality, emphasizing her ghostly nature. Okiku is reaching out desperately with one hand, while her other hand seems to clutch or emerge from a large, partially visible fan, which is a significant element as it adds a dynamic flair to the composition.The overall atmosphere of the artwork is eerie and unsettling, enhanced by the use of muted colors and the stark contrast provided by the dark background. This visual storytelling encapsulates the pain and haunting endurance of Okiku's spirit, a theme widely explored in Japanese arts and literature. The representation captures her eternal unrest and sorrow, tied forever to the mishap of breaking a precious plate, as per the legend.

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We create reproductions on demand, with a production time of 5 to 7 business days.

Our courier service ensures delivery within an additional two business days.

If you need a faster turnaround, please contact us. We can often expedite the process to meet your needs.

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Yes, reproductions can be returned.

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Please note that we accept a maximum of two returns per customer. Since reproductions are made to order, we encourage you to choose responsibly.

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Artist
Toyohara Kunichika
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Toyohara Kunichika (1835–1900) was one of the most successful Japanese woodblock print artists during the Edo period. His passion for Kabuki shows drove him to mainly focus on producing prints of actors and actresses from Kabuki scenes, by using the Ukiyo-e style.

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