At Flushing
Technique: Giclée quality print
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This painting by Paul Signac, titled "At Flushing," captures a maritime scene with a vivid and textured representation typical of his pointillist style. The artwork depicts a view across a body of greenish water, likely a river or a channel. In the foreground, there's a large, leafless tree, emphasizing the season or the starkness of the environment. This tree stands boldly against a muted, cloudy sky, dotted with gentle touches of multiple colors that create an airy and light-filled atmosphere.Beyond the tree and the waterfront, the painting showcases a bustling port area. There are several boats moored at the docks, and various architectural structures that could be warehouses or buildings associated with the port, painted in hues of orange, blue, and gray, portraying the play of light and architectural details.The sea or river commands a significant part of the canvas, rendered in strokes of green and white that shimmer, suggesting the movement of water. Signac’s mastery in pointillism is seen in how these dots of pure color - viewed from a distance - visually blend into a coherent broader image, giving the scene a dynamic vibrancy.Three flags, possibly indicating nationality or maritime signals, can be seen fluttering on poles in the distant right side of the composition, adding to the lively port setting.
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Paul Signac (1863-1935) was a French Neo-Impressionist painter. Together with Georges Seurat, Signac developed the Pointillism style. He was a passionate sailor, bringing back watercolor sketches of ports and nature from his travels, then turning them into large studio canvases with mosaic-like squares of color. He abandoned the short brushstrokes and intuitive dabs of color of the impressionists for a more exact scientific approach to applying dots with the intention to combine and blend not on the canvas, but in the viewer's eye.