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Scene After Georges Stabs Himself With The Scissors reproduction of painting by Charles Demuth. ALL GICLEE PRINTS

Scene After Georges Stabs Himself With The Scissors

Charles Demuth
Technique: Giclée quality print
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In the watercolor artwork, there is a large, seated male figure wearing a bright green coat with subdued yellow and brown tones. He appears calm yet detached, with a slightly surreal doll-like face showing minimal expression. His blond hair contrasts with the dark, indistinct shapes around him. To his left, a smaller figure is crouched on the ground, seemingly bowed in despair or pain. This figure is darkly colored, focusing on something on the floor, which appears to be a sprinkling of red spots, possibly representing blood. In front of this figure is a white object possibly a plate. The background is composed of muted browns and grays, giving the scene a blurry, dreamlike quality.

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Artist
Charles Demuth
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Charles Demuth (1883-1935) was one of the leading artists during the American Modernism era. He was distinguished for intimate watercolors and cubic architectural paintings. Demuth studied art at Académie Julian in Paris, where he was welcomed into the avant-garde art scene and met other American Cubism artists like Marsden Hartley. His watercolor figures have a weightless and surrealistic character with a sensitive linear style, in which he illustrated plays and novels such as Émile Zola's Nana. He also depicted an evolving gay scene of encounters at bath houses through watercolors for his close friends, like the "Turkish Bath", works that now are of great historical significance. Demuth later employed a cubist technique by painting industrial factories with complex structural planes, leading him to becoming a pioneer for the precisionist movement.

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