A still life with a peacock, fruit, a lobster and bird

Technique: Giclée quality print
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More about this artwork

Welcome to a splendid display of Baroque richness and detail, captured intricately in Adriaen van Utrecht's painting, "A Still Life with a Peacock, Fruit, a Lobster, and a Bird." This lavish artwork unfolds a tableau of abundance and luxury, masterfully created by the Flemish artist known for his grand still life compositions.At the forefront, the painting immediately captivates with its vividly rendered peacock, whose splendid plumage cascades across the composition, adding a touch of opulence and luster. The iridescent feathers, detailed with meticulous care, seem almost lifelike, shimmering with a spectrum of colors that contrast starkly against the darker background.Adjacent to the majestic bird, a cornucopia of fruit spills elegantly from a wicker basket. Apples, grapes, and berries glisten as if freshly picked, their textures so realistic that one can almost feel their freshness. These elements are not merely a feast for the eyes but symbolize wealth and earthly pleasures, typical of the baroque era's fascination with bountiful displays.On a deeper level, a bright red lobster, radiantly painted on a dark plate, offers a stark contrast both in color and theme, suggesting the transitory nature of life and the inevitability of decay, a common motif in still life paintings to remind viewers of life's fleeting beauty.Further enriching the scene, a dead bird and small game, meticulously executed with soft, feathery details, lie gracefully, adding to the narrative of hunting and gathering as signs of status and prosperity during the 17th century.

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Adriaen van Utrecht (Antwerp, 12 January 1599 – 1652) was a Flemish painter known mainly for his sumptuous banquet still lifes, game and fruit still lifes, fruit garlands, market and kitchen scenes and depictions of live poultry in farmyards. His paintings, especially the hunting and game pieces, show the influence of Frans Snyders. The two artists are considered the main inventors of the genre of the pronkstillevens, i.e. still lifes that emphasized abundance by depicting a diversity of objects, fruits, flowers and dead game, often together with living people and animals.[1] Van Utrecht also painted a number of flower still lifes. He was a regular collaborator with leading Antwerp painters who had been pupils or assistants of Peter Paul Rubens, such as Jacob Jordaens, David Teniers the Younger, Erasmus Quellinus II, Gerard Seghers, Theodoor Rombouts, Abraham van Diepenbeeck and Thomas Willeboirts Bosschaert.