The Love Letter (c. 1669 - c. 1670)

Technique: Giclée quality print
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More about this artwork

"The Love Letter" by Johannes Vermeer, painted around 1669 to 1670, is a captivating scene steeped in mystery and delicate detail, showcasing the artist's mastery in portraying intimate, domestic environments. This painting invites viewers into a private moment within a Dutch home, where a lady is engrossed in playing a lute, possibly singing softly, bathed in the warm light that streams through a nearby window. Next to her stands her maid, who hands her a letter, which is likely the source of the painting's title.The room is richly decorated, reflecting a comfortable, upper-middle-class home. The details Vermeer includes, such as the elegantly tiled floor, the luxurious tapestry draped overhead, and the carefully positioned paintings on the wall, add layers of texture and narrative. Each element—from the scattered musical instruments to the silent broom in the corner—contributes to a story that suggests themes of love, secrecy, and possibly even longing.Vermeer's use of light is particularly noteworthy; it not only highlights the central figures but also seems to hint at the emotional tone of the moment captured. The calm yet precise positioning of each figure and object allows the scene to resonate with a quiet tension, as the viewer is left to ponder the contents of the letter and the thoughts occupying the minds of the women.

Delivery

Reproductions are made to order and take 5 to 7 working days.

We send them out by courier and delivery takes another two working days.

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Returns

Yes, reproductions can be returned.

If you have any doubts more than 30 days after the date of purchase, please contact us - we will take the reproduction back for a refund or offer you a replacement!

We accept a maximum of two returns per customer - please note that we make reproductions to order, so please choose responsibly.

We do not refund shipping expenses.

Johannes Vermeer was a Dutch Baroque Period painter who specialized in domestic interior scenes of middle class life. During his lifetime, he was a moderately successful provincial genre painter, recognized in Delft and The Hague. Nonetheless, he produced relatively few paintings and evidently was not wealthy, leaving his wife and children in debt at his death.