Fishmonger’s Stall (1640)

Technique: Giclée quality print
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More about this artwork

Dive into the bustling world of a 17th-century market with Adriaen van Utrecht's meticulous and vibrant painting "Fishmonger's Stall," crafted in 1640. This elaborate work showcases the artist's mastery in still life and genre painting, presenting a vivid scene teeming with activity and marine produce.At the heart of the painting, a fishmonger, clad in a dark tunic and wielding a knife, stands beside a well-dressed woman holding a metal bucket, possibly negotiating over the day's catch. Their expressions, one of focused negotiation and the other of careful consideration, draw the viewer into the liveliness of market transactions.Surrounding them, an array of freshly caught seafood is displayed with astonishing realism. From the glistening scales of fish, both large and small, to the intriguing textures of crustaceans and the hanging meats in the background, van Utrecht's attention to detail immerses viewers in a sensory experience. Even the play of light on the slippery surfaces is captured with precision, highlighting the artist’s skill in rendering textures and materials.Adding to the depth of the scene are additional figures—a curious boy peeking from behind the woman and another market attendee in the shadows—each contributing to the narrative of daily life and commerce in the 17th century. The background with muted tones and simple skies ensures that the focus remains on the characters and the cornucopia of maritime offerings."Fishmonger's Stall" is more than just a visual feast; it is a window into the past, reflecting the social interactions and economic vibrancy of its time.

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Adriaen van Utrecht (Antwerp, 12 January 1599 – 1652) was a Flemish painter known mainly for his sumptuous banquet still lifes, game and fruit still lifes, fruit garlands, market and kitchen scenes and depictions of live poultry in farmyards. His paintings, especially the hunting and game pieces, show the influence of Frans Snyders. The two artists are considered the main inventors of the genre of the pronkstillevens, i.e. still lifes that emphasized abundance by depicting a diversity of objects, fruits, flowers and dead game, often together with living people and animals.[1] Van Utrecht also painted a number of flower still lifes. He was a regular collaborator with leading Antwerp painters who had been pupils or assistants of Peter Paul Rubens, such as Jacob Jordaens, David Teniers the Younger, Erasmus Quellinus II, Gerard Seghers, Theodoor Rombouts, Abraham van Diepenbeeck and Thomas Willeboirts Bosschaert.