Poultry Farm (1650)

Technique: Giclée quality print
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More about this artwork

Adriaen van Utrecht's evocative 1650 painting, "Poultry Farm," offers a vivid glimpse into the bustling life of a farmyard. This masterfully detailed artwork showcases a diverse assortment of birds, capturing their vibrant energy and the dynamic social structure of farm life.At the center of the composition, majestically posed, is a peacock with his iridescent tail feathers splendidly displayed, drawing the viewer's eye with his regal presence. Surrounding him are various types of poultry including chickens, ducks, and a turkey, each characteristically engaged. A rooster confidently perches atop a wicker cage, overlooking the scene, while ducks and their ducklings gather around a shallow water dish, adding a sense of movement and community.The background reveals a rustic farmhouse with additional chickens perched and wandering freely, constructing a narrative of a day's life within the farm. In the distance, beyond the immediate clamor of the poultry, a farmer can be glimpsed, perhaps going about his daily chores, which anchors the scene in a broader pastoral context.Van Utrecht’s use of light enhances the textures from the glossy plumage of the peacock to the soft down of the chicks. The detailed rendering not only highlights the artist's skill but also serves to convey the lively chaos and inherent beauty of farm life.

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Adriaen van Utrecht (Antwerp, 12 January 1599 – 1652) was a Flemish painter known mainly for his sumptuous banquet still lifes, game and fruit still lifes, fruit garlands, market and kitchen scenes and depictions of live poultry in farmyards. His paintings, especially the hunting and game pieces, show the influence of Frans Snyders. The two artists are considered the main inventors of the genre of the pronkstillevens, i.e. still lifes that emphasized abundance by depicting a diversity of objects, fruits, flowers and dead game, often together with living people and animals.[1] Van Utrecht also painted a number of flower still lifes. He was a regular collaborator with leading Antwerp painters who had been pupils or assistants of Peter Paul Rubens, such as Jacob Jordaens, David Teniers the Younger, Erasmus Quellinus II, Gerard Seghers, Theodoor Rombouts, Abraham van Diepenbeeck and Thomas Willeboirts Bosschaert.