Bildnis Frau H.M. (Naila) (1923)

Technique: Giclée quality print
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More about this artwork

Welcome to our website’s exploration of Max Beckmann’s 1923 portrait "Bildnis Frau H.M. (Naila)". This striking piece captures the gaze and demeanor of Frau H.M., a woman whose expression and poise are vividly brought to life through Beckmann’s distinctive style.The composition is a fine example of Beckmann’s skill in portraiture, where each line and shade contributes not just to the physical likeness, but also to an intimate portrayal of character. The subject's eyes, sharply drawn, serve as the focal point, suggesting a deep resilience or intense contemplation. Her hair is styled in a manner typical of the era, elegantly waved and neatly arranged, which complements her refined attire.Adding an element of depth, her dress and the necklace suggest a sense of personal style and perhaps social standing. The contrast between the bold, black strokes and the softer, textured background emphasizes the subject’s features, drawing viewers into a silent dialogue with her.This portrait not only showcases Beckmann's masterful use of expressionist techniques but also offers a glimpse into the era's cultural context, reflected through fashion and personal demeanor.

Delivery

Reproductions are made to order and take 5 to 7 working days.

We send them out by courier and delivery takes another two working days.

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If you don't want to pay for postage, you can pick up your paintings at our galleries in Kaunas or Vilnius.

Returns

Yes, reproductions can be returned.

If you have any doubts more than 30 days after the date of purchase, please contact us - we will take the reproduction back for a refund or offer you a replacement!

We accept a maximum of two returns per customer - please note that we make reproductions to order, so please choose responsibly.

We do not refund shipping expenses.

Actors, cabaret singers, heroes and thugs in a harsh postwar urban life by German artist Max Beckmann (1884-1950). His paintings show boldness, lust, and pain through delineated figures. The Nazi rule forced Beckmann to resign as an art professor and declared his artworks as degenerate. He later left for America where he lived in exile, yet remained active as an artist.