Portret van jonge vrouw (1895)

Technique: Giclée quality print
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More about this artwork

Theo van Rysselberghe's profound work, "Portret van jonge vrouw" (Portrait of a Young Woman) from 1895 is a stunning example of fine pointillism and attention to detail, characteristic of his style during this period. This sketch beautifully captures the delicate features and serene expression of a young woman, her gaze soft yet distant, evoking a sense of introspective contemplation.The artist’s use of light and shadow is subtly executed through a series of fine lines and hatching, lending the portrait an almost ethereal quality. Her hair, with its swirling curls, frames her face beautifully, drawing attention to the subtle nuances of her expression. This artwork not only highlights van Rysselberghe's mastery in portrait art but also offers a window into the refined elegance of late 19th century portraiture.This piece is a perfect representation of van Rysselberghe's ability to convey rich, emotional depth through seemingly simple techniques, making it a captivating addition to any collection of Neo-Impressionist art.

Delivery

Reproductions are made to order and take 5 to 7 working days.

We send them out by courier and delivery takes another two working days.

If you need a reproduction sooner, please contact us - we can usually find a solution and produce it a little faster.

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Returns

Yes, reproductions can be returned.

If you have any doubts more than 30 days after the date of purchase, please contact us - we will take the reproduction back for a refund or offer you a replacement!

We accept a maximum of two returns per customer - please note that we make reproductions to order, so please choose responsibly.

We do not refund shipping expenses.

Théophile "Théo" van Rysselberghe was a Belgian neo-impressionist painter, who played a pivotal role in the European art scene at the turn of the twentieth century.

Born in Ghent to a French-speaking bourgeois family, he studied first at the Academy of Ghent under Theo Canneel and from 1879 at the Académie Royale des Beaux-Arts in Brussels under the directorship of Jean-François Portaels.