Sketchbook (1861)

Technique: Giclée quality print
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More about this artwork

Dive into the tranquility and delicate intricacy of Barbara Bodichon's drawing titled 'Sketchbook' from 1861. This artwork is a sublime example of Bodichon's skill in capturing the subtle interplay of natural landscapes with a minimalist touch. The composition features a serene, expansive scenery dominated by open fields and a low horizon, overlaid with soft, textured strokes that reveal a sky punctuated by gentle clouds.Dominating the scene are distinct clusters of foliage and trees, their forms sketched with a dynamic, almost impressionistic technique that brings a vivid sense of movement against the calm sky. On the right, a tall, slender form—perhaps a tree—stands out, its dark silhouette providing a visual anchor that draws the eye and emphasizes the scale and openness of the depicted landscape.Bodichon's use of light and shadow, executed with a restrained palette, emphasizes the vastness of the landscape, inviting the viewer to ponder the serene emptiness and the beauty of the natural world. This drawing not only showcases Bodichon's artistic prowess but also serves as a window into the peaceful moments of reflection and appreciation of nature that is timeless in its appeal.

Delivery

Reproductions are made to order and take 5 to 7 working days.

We send them out by courier and delivery takes another two working days.

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Returns

Yes, reproductions can be returned.

If you have any doubts more than 30 days after the date of purchase, please contact us - we will take the reproduction back for a refund or offer you a replacement!

We accept a maximum of two returns per customer - please note that we make reproductions to order, so please choose responsibly.

We do not refund shipping expenses.

Barbara Leigh Smith Bodichon (8 April 1827 – 11 June 1891) was an English educationalist and artist, and a leading mid-19th-century feminist and women's rights activist.

Bodichon studied at the Ladies' College in Bedford Square founded in London, England in 1849. Here she was given instruction for work as a professional artist rather than an art instructor. Bodichon came from a liberal Unitarian family with a private income. Their independent wealth gave Bodichon more freedom to grow as an artist.