Venice, a View of St Mark’s Colum

Technique: Giclée quality print
Recommended by our customers
Size
Finishing (pick one!)

More about this artwork

"Venice, a View of St Mark’s Column" by Karl Kaufmann is a striking depiction of one of Venice's most iconic scenes. The painting captures the expansive view across the shimmering waters of the lagoon, directed towards the historic Piazza San Marco. The magnificent St Mark's Campanile stands tall, a sentinel over the city, its red-brick facade glowing under the gentle caress of the sunlight. Adjacent, the grandeur of the Doge's Palace eloquently narrates the architectural elegance and storied past of Venice, with its ornate Gothic windows and intricate detailing.Foregrounding this serene vista, a solitary gondola glides smoothly over the calm waters reflecting the clear blue sky, its gondolier poised in traditional attire, emblematic of Venetian culture. The subtle ripples in the water add a touch of realism to the tranquility that this painting exudes.Seagulls animate the sky, adding a dynamic element to the otherwise tranquil composition, suggesting the harmonious coexistence between the city and nature.

Delivery

We create reproductions on demand, with a production time of 5 to 7 business days.

Our courier service ensures delivery within an additional two business days.

If you need a faster turnaround, please contact us. We can often expedite the process to meet your needs.

You can also pick up your paintings at our galleries in Kaunas or Vilnius.

Returns

Yes, reproductions can be returned.

If you have any concerns more than 30 days after purchase, please contact us. We will either provide a refund or offer a replacement!

Please note that we accept a maximum of two returns per customer. Since reproductions are made to order, we encourage you to choose responsibly.

Shipping expenses are non-refundable.

Karl Kaufmann was an Austrian landscape and architectural painter.

Karl Kaufmann was a student at the Vienna Academy. His studies in the European North (Norway), to Holland, Germany (Franconia, Danzig, Königsberg) and often to Italy (Naples, Rome, Venice) gave him the motives for his numerous landscapes, including a remarkable number of views of Venice.