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Landscape (1812) reproduction of painting by Caspar David Friedrich. ALL GICLEE PRINTS
Landscape (1812) reproduction of painting by Caspar David Friedrich. ALL GICLEE PRINTS

Landscape (1812)

Caspar David Friedrich
Technique: Giclée quality print
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"Landscape (1812)" by Caspar David Friedrich is a compelling example of Romantic artistry and subtlety. Delicately executed in a monochrome sketch, this work draws upon Friedrich's renowned ability to merge the serene and the sublime, invoking deep contemplation and reverence for nature.The drawing captures a fragment of a rugged, elevated terrain, sparsely adorned with a clump of trees perched on a hilltop. The fine details in the sketch, such as the textures of the trees and grasses that sway with an almost imperceptible breeze, are reminiscent of Friedrich's attention to the mood and atmosphere rather than grand, sweeping scenes.In "Landscape (1812)", the horizon is left to the viewer's imagination, emphasizing the solitude of the natural elements depicted. This sketch might appear simple at first glance, but it's an invitation to pause and explore the quietude that nature affords and the reflective qualities it stimulates in the human spirit.

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Yes, reproductions can be returned.

If you have any doubts more than 30 days after the date of purchase, please contact us - we will take the reproduction back for a refund or offer you a replacement!

We accept a maximum of two returns per customer - please note that we make reproductions to order, so please choose responsibly.

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Artist
Caspar David Friedrich
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Caspar David Friedrich (5 September 1774 – 7 May 1840) was a German Romantic landscape painter, generally considered the most important German artist of his generation. He is best known for his allegorical landscapes, which typically feature contemplative figures silhouetted against night skies, morning mists, barren trees or Gothic ruins. His primary interest was the contemplation of nature, and his often symbolic and anti-classical work seeks to convey a subjective, emotional response to the natural world. Friedrich's paintings characteristically set a human presence in diminished perspective amid expansive landscapes, reducing the figures to a scale that, according to the art historian Christopher John Murray, directs "the viewer's gaze towards their metaphysical dimension".

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