Sieg des heiligen Jakob von Compostela über die Sarazenen in der Schlacht von Clavigo (1764)

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The stunningly dramatic piece, titled "Sieg des heiligen Jakob von Compostela über die Sarazenen in der Schlacht von Clavigo," painted in 1764 by Franz Anton Maulbertsch, captures a vivid moment in historical and religious lore. This painting reflects the legendary victory of Saint James (Santiago) over the Moors at the Battle of Clavijo, an event steeped in a mixture of history and myth, which has significantly inspired Christian imagery in Spain.In this masterful work, Saint James, the central figure, is depicted as a vigorous and divine warrior mounted on a fierce, charging white horse. His figure is emboldened by spiritual gravitas, featuring a flowing red cape and a determined expression, leading the charge against the portrayed foes. Above him, an angel sweeps down, almost as if descending from heaven itself, signifying divine intervention and support in the battle. The angel’s vibrant and flowing robes add movement and color to the chaotic scene, enhancing the overall feeling of dynamic action.The foreground and background are populated with warriors in various states of combat, reinforcing the intensity and peril of the battle. The fallen and the fighters are rendered with an urgency that conveys the brutal reality of war, while the sweeping strokes and vibrant palette lend the scene an almost otherworldly energy.Maulbertsch’s technique showcases his skill with the Rococo style, characterized by elaborate and ornate imagery, rich colors, and dynamic movements. His use of dramatic illumination and shadow plays powerfully across the composition, highlighting the emotional depth and the kinetic energy of the historical moment.This painting not only serves as a religious icon but also as a stirring piece of art that conveys the fervor and drama of its subject matter with intensity and grace.

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Franz Anton Maulbertsch (June 7 , 1724 - August 8 , 1796 ) was, alongside Martin Johann Schmidt , the most outstanding painter of the Austrian late Baroque . His expressive art initially broke with tradition, ultimately culminating in classicism and completing Austrian Baroque painting in an idiosyncratic and independent way.