Pijnboomen (Bretonsche baai bij eb) (1927)

Technique: Giclée quality print
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More about this artwork

Bernard Essers' striking 1927 woodcut, "Pijnboomen (Bretonsche baai bij eb)" — translating to "Pine Trees (Breton Bay at Low Tide)" — captures a tranquil landscape scene marked by graphic intensity and deep contrast. Through a masterful use of black and white, Essers delineates a panoramic view of a bay during low tide, bordered by robust pine trees that dynamically frame the composition.The artwork is dominated by two formidable pine trees that lean towards each other, their branches creating a dense canopy over the bay. The elegant, swirling lines of the water below mirror the sky’s curvature, suggesting a harmonious unity between sea and heavens. This interaction also echos the movement of the tides — a subtle reminder of nature's rhythms and cycles.Small boats are tucked away in the calmness of the bay, evoking a sense of peaceful solitude. In the foreground, the detailed texture of the rugged outcrops and vegetation provides a stark contrast to the sleek water and sky — illuminating Essers’ keen attention to detail and his prowess in capturing the essence of a landscape through woodcut techniques."Pijnboomen (Bretonsche baai bij eb)" is not just a scenic depiction but a profound meditation on the interplay between land, water, and sky. It invites viewers into a moment of silent contemplation, amidst the stoic beauty of nature's contours shaped by the tides.

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Bernard Essers (11 March 1893 – 13 May 1945) was a Dutch painter. His artistic contributions were showcased in the painting event of the art competition during the 1936 Summer Olympics. Furthermore, Essers' work was featured in the exhibition and sale titled Onze Kunst van Heden (Our Art of Today) held at the Rijksmuseum in Amsterdam in 1939.