La Baie du Bec de l’Aigle, La Ciotat (1907)

Technique: Giclée quality print
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More about this artwork

Capturing the vibrant essence and the serene setting of the French Riviera, "La Baie du Bec de l’Aigle, La Ciotat," painted in 1907 by Emile Othon Friesz, is a glowing example of Fauvism's heart and spirit. This painting depicts the breathtaking bay of La Ciotat with its distinctive rocky outcrops known as “Bec de l’Aigle,” or “Eagle’s Beak.”Friesz uses bold, expressive color and dynamic strokes to bring this scene to life. The cliffs, rendered in deep purples and reds, contrast strikingly with the soothing blue and turquoise hues of the Mediterranean Sea. The sky, depicted in pale yet radiant yellow, casts a warm, ethereal glow over the scene, suggesting a late afternoon setting.In this masterful composition, Friesz not only showcases the natural beauty of La Ciotat but also illustrates the core Fauvist principles of emotion-rendered color and spontaneous execution. "La Baie du Bec de l’Aigle, La Ciotat" invites viewers to immerse themselves in the warmth and dynamic allure of this idyllic locale, highlighting the artist’s ability to harmonize color and form in a way that is both evocative and visually striking.

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Achille-Émile Othon Friesz (6 February 1879 – 10 January 1949), who later called himself Othon Friesz, a native of Le Havre, was a French artist of the Fauvist movement.